Polaroid 20 X 24 Self-Portrait Series__


Polaroid 20 X 24 Self-Portrait Series
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Painted Black & White Self-Portrait Series––


Painted Black & White Self-Portrait Series
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My Sparkling SelfPolaroid Super Shooter Polacolor__


My Sparkling Self
Polaroid Super Shooter Polacolor
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Zip-to-ZZZ SeriesPainted Polaroid SX-70__


Zip-to-ZZZ Series
Painted Polaroid SX-70
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Painted Polaroid SX-70 Self-Portraits Series__ 


Painted Polaroid SX-70 Self-Portraits Series
__

 

Painted Polaroid SX-70 Series––


Painted Polaroid SX-70 Series
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Painted Black & White Self-Portraits Series(with applied color)__


Painted Black & White Self-Portraits Series
(with applied color)

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Painted Color on Color Self Portrait Series__


Painted Color on Color Self Portrait Series
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Black & White Abstractions__


Black & White Abstractions
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Photo-litho Self-Portrait Series––


Photo-litho Self-Portrait Series
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Polaroid 20 X 24 Abstractions––


Polaroid 20 X 24 Abstractions
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Early Work:
1970s–1990s


Photography’s ability to depict “reality” has been one of its most praised and valued qualities. Faith in the believability of the photograph led to the assumption that the appearance of an object somehow revealed its essence. This belief is particularly strong in our attitudes toward the portrait and its supposed ability to express the inner state and thoughts of the sitter. Yet, the appearance of discernible truth beyond the surface characteristics of the subject is an illusion. The photographic portrait is able to convey only clues to the sitter’s thoughts. It is understandable, then, that an artist interested in expressing internal states of mind would look for ways to extend the connotative power of the image. Ellen Carey combines the realism of the photograph with the evocative power of paint and collage to create an image that not only records appearance but suggests essence. (more)

Read Complete Essay by Willis Hartshorn